Nat Cassidy

Nat Cassidy

Nat Cassidy is is an award-winning playwright and actor and a sandwich-winning musician. Raised in Arizona, he currently resides in Brooklyn. His plays include The Reckoning of Kit & Little Boots (NY Innovative Theatre Award winner for Outstanding Full-Length Script); Any Day Now (NY Innovative Theatre Award winner); I Am Providence (NY Innovative Theatre Award winner); The Eternal Husband; Old Familiar Faces; Songs of Love: A Theatrical Mixtape; Pierce; Goldsboro; The Temple; At the Breakaway; Foundations; Loss; The Demon Hunter; The Assassinations of Jomo Bekele; One Last Dinner with the Stalins after the World Has Ended; and various others you might see him working on in tattered notebooks throughout the city. 

His work has been produced and/or developed at The Kennedy Center, Washington National Opera, Primary Stages, The Players Club, The Players Theatre, LaMaMa ETC, Flux Theatre Ensemble, Nosedive Productions, Piper McKenzie, Adaptive Arts, CAPS LOCK Theatre, Retro Productions, Blood Brothers Present, Manhattan Theatre Source, The Gallery Players, The Brick, First Floor Theatre (Chicago), American Theatre Company (Oklahoma), The World's Stage Theatre Company (Wisconsin); Finborough Theatre (UK), and others. 

His plays have been published by New York Theater Experience, Smith & Kraus, Applause, and Indie Theater Now. He was one of three librettists chosen for the inaugural American Opera Initiative at The Kennedy Center, and was commissioned to write a libretto (alongside composer Scott Perkins) which the Washington Times called "brilliant" and "remarkable." Nat also writes for film and television with MozzleStead Productions and is an accomplished singer-songwriter, with three albums of original material and a fourth on the way. 

Contact Info: Rochelle at rd@indietheaternow.com

Plays by Nat Cassidy on Indie Theater Now

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ANY DAY NOW
As the world wrestles with the sociological, biological, and theological meanings behind unexplained resurrections of the recently deceased, one Connecticut family learns that what they thought was buried may in fact devour them all.

BEDLAM NIGHTMARES: SHOCK TREATMENTS
The execution of the Blood Brothers races closer and their captor, Doctor Queen, has vowed that she will break their minds before she destroys their bodies. So while she's away, that means exposing the boys to some of the ugliest, most rancid stories the hospital has to offer.

BEDLAM NIGHTMARES: STRAPPED IN
Deep in the vaults of an institution for the criminally insane, The Blood Brothers await their final hours on Earth. In the custody of a physician as sinister as they are, the two brothers fill their last days feeding on the surreal stories of their fellow inmates.

GOLDSBORO
A dark, dark, dark comedy about a family of nuclear mutant would-be cannibals, living in the irradiated deserts of the American Southwest.

HUMAN 2.0 PART 2
Short plays by David Ian Lee, David Stallings, Lauren Ferebee, and Nat Cassidy that consider how humankind's senses might evolve and change in the future.

OLD FAMILIAR FACES
A time-jumping, heartbreaking drama about the astounding true story of Charles and Mary Lamb, juxtaposed with a modern-day American “adaptation” of the difficult romance between Laurence Olivier and Vivien Leigh.

PIERCE
The tragic and horrifying story of our most obscure president, haunted beyond comprehension and driven desperately to distraction by the death of his son, as his country crawls its way towards civil war unnoticed.

SONGS OF LOVE: A THEATRICAL MIXTAPE
A series of short plays—some comedic, some dramatic, all twisted—about the insanities of romantic love, each complemented by an original love song performed live onstage by a musician.

THE ETERNAL HUSBAND
A modern-day noir thriller, loosely based on the Dostoevsky novella of the same name, about a flailing private detective whose life is turned upside-down during a brutal summer heatwave when he receives a visit from an erratic, unpredictable old man in a heavy black coat.

THE RECKONING OF KIT AND LITTLE BOOTS
As he lies dying of a stab wound to the face, Elizabethan playwright Christopher Marlowe’s life flashes before his eyes (or rather, eye); his host for this journey is his own personal Mephistopheles, the character about whom he never got to write: the insane Roman emperor, Caligula.