Bob Brader
Spitting In The Face Of The Devil, Bob’s acclaimed monologue, won “Best Show of The London Fringe” from The Beat, Art in London, “Fringe Hit” in The Atlantic Fringe, “Best Script” in The Inaugural United Solo Theatre Festival, NYC, “Pick of the Fringe” in the Victoria Fringe Festival and “Best of the Fest” in The San Francisco Fringe Festival. It was also presented in The 2009 New York International Fringe Festival, where it was picked up for The Garage Theatre Group’s SoloFest 2010. It was the featured theatrical event and a crowd favorite, sold-out show in the Inaugural Woodstock Memoir Festival, which was headlined by the McCourt Brothers—Frank, Alphie and Malachy. Previously, Spitting In The Face Of The Devil ran for three months at The Red Room as a Horse Trade co-production and played to a standing room only crowd at The Fletcher Gallery in Woodstock, NY. Bob made his international debut at the London Fringe Festival with his 2nd solo show, Preparation Hex, a hemorrhoid tale and love story, which premiered in the 2nd annual FRIGID New York Festival.
Bob played Teddy Roosevelt in Bryan Enk and Matt Gray’s supernatural theatrical serial, Penny Dreadful, at The Brick Theater. He was in the original cast of We Call Her Benny, the revival of Sex Ed and played Parker Lyman in the five-month run of BITE with the John Montgomery Theatre Company, for which he serves as Executive Director.
Other New York Theatre credits include numerous DMTheatrics’ productions: Girls School Vampire, Bitch Macbeth, Who in the Hell is the Real Live Lorelei Lee? and Antony and Cleopatra (Caesar, OOBR Award). Bob trained with the Stella Adler Conservatory at The Tisch School of the Arts and is a member of AFTRA and The Dramatists Guild.
Website: www.spittinginthefaceofthedevil.com
Blog: bobbrader.blogspot.com/
Contact Info: bobbrader@me.com
Bob Brader on the Indie Theater Blog
Bob Brader: Spitting In The Face Of The Devil
(November 21, 2011)
In the spring of 2007, actor Bob Brader let me know that he was doing something quite a bit different--he had written a solo play about some of his own formative experiences, working closely with playwright/director Suzanne Bachner.
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