House of Trash
by
Trav S.D.
Trav S.D. in a scene from House of Trash
Description: A raucous populist musical farce about Bob Maggot, a garbage man moonlighting as a Baptist preacher, and his eccentric family.
First Produced: 2000
Date Added: 6/15/2011
Content Advisory: Sex, violence, language
Keywords:
Musical comedy
Satire/Parody
Mostly Male Characters
Large Cast Size
5 Acts, 120 Minutes
3 Females, 6 Males
From the Playwright:
Note on the original cast of House of Trash: Because of the way I develop my plays, usually with several public readings and productions (often called "workshops" by the industry), often spread out over the span of several years, it is generally very difficult for me to say which is the "original" or "official" production. The folks listed as the original cast here were the performers attached to the published version of the play, but there were at least three other "original casts" in as many different versions of the script prior to the August, 2000 production dating all the way back to 1996. The original Angel, for example, (then called Joanie) was actually Drea De Matteo, later of The Sopranos, who was one of my classmates at NYU film school. These folks all deserve a nod, though technically they performed in different versions of the script.
NOTE: House of Trash is fully protected by copyright law and is subject to royalty. All inquiries concerning production, publication, reprinting or use of this play in any form should be addressed to travsd.wordpress.com.
Original Production Information
House of Trash was first presented by Trav S.D. and Mountebanks, as part of the New York International Fringe Festival in 2000 at Surf Reality, with the following cast and credits:
Preacher Bob: Trav S.D.
Ma: Gilda Konrad
Toby: Jon Weichsel
Hayseed/Pubert: Hank Flynn
Angel: Rev Jen Miller
Ray: Robert Pinnock
Babe: Loren Kidd
Claude: Jim Castelleiro
Directed by: Trav S.D.
Musical Director: Beau Mansfield
Sound Design: Arthur Schlenger
Music for House of Trash by Trav S.D. may be obtained by contacting the author
Review by Martin Denton
What's the funniest moment in House of Trash? Perhaps it's when Claude the gorilla sits down, crosses his legs, and starts to leaf through a high school student's composition book. Or is it when Angel, a wigged-out druggie who claims to have been abducted by aliens, lets slip that her mother is part of the Manson family? Or when Bob Maggot, an earnest garbageman moonlighting as a Baptist preacher, instructs his step-grandson Pubert to polish a telephone with the remnants of a frog sandwich?
It doesn't really matter: what you need to know is that in House of Trash, the "populist musical" written and directed by downtown comedy favorite Trav S.D., the laughs are nonstop and mostly of the belly variety. This is a burlesque, pure and simple, in the grand comic tradition of Plautus, Goldoni, and Weber & Fields: a rowdy, raucous, profane cartoon of a show--with the blessed ring of truth simmering just beneath the surface.
The story revolves around Preacher Bob's attempts to keep his extended family on the straight and narrow. His wife is a miserable old harridan addicted to tabloid TV who spouts weird malevolent folk wisdom like a deranged cross between Granny Clampett and the Wicked Witch of the West. His son is a walking timebomb of adolescent angst, in love with his high school teacher. His step-son is an imbecilic Hayseed (that's his name) who may be in love with a goat. And his step-grandson is a glue-sniffing dimwit, involved with the aforementioned Angel: a walking lost cause.
Poor Preacher Bob; lucky us. There's a lively country/rock score, as well (performed by Beau Mansfield and his band); plus grandly outrageous performances by Robert Pinnock, Reverend Jen Miller, Gilda Konrad, Loren Kidd, Hank Flynn, Jon Weichsel, and Trav S.D. himself. All are employed in the dubious but worthy cause of poking fun at white trash, who are--let's face it-- the only acceptable figures of derision left in this politically correct world of ours. And they do so with over-the-top vigor in this delicious celebration of good old-fashioned American ignorance.
reviewed at the 2000 New York International Fringe Festival
Excerpt from House of Trash
BOB
“Something there is that doesn’t love a wall.” Robert Frost said that. You ever heard of Robert Frost?
HAYSEED
Interviews… people… on TV…
BOB
H’m… Nope, that’s David Frost. Robert Frost was a poet. Spoke at President Kennedy’s inauguration years ago.
HAYSEED
Didn’t see it.
BOB
35th President of the United States.
HAYSEED
Jack Frost.
BOB
No. Robert Frost. There is no Jack Frost.
HAYSEED
There ain’t?
BOB
No.
HAYSEED
Then how come they say “Quicker’n you can say ‘Jack Frost’”?
BOB
That’s Jack Robinson.
HAYSEED
They let a baseball player speak at the President’s inaug’ral?
BOB
What baseball player?
HAYSEED
Jackie Robinson!
BOB
No. Forget it.

Performer, writer and producer Trav S.D. is the author of over 100 plays (for stage, screen and radio), 300 published articles, and the book "No Applause, Just Throw Money, The Book That Made Vaudeville Famous" (Faber & Faber, 2005). A frequent radio guest and public speaker, his voice has been heard on the Leonard Lopate Show (WNYC), The Sound of Young America (NPR), The Joey Reynolds Show (WOR), Cat Radio Café (WBAI), and a dozen others throughout the country. He currently writes the Downtown Theatre column in the Villager, Downtown Express, and Chelsea Now as well as the blog Travalanche. He has also contributed to American Theater, the Village Voice, Time Out New York, the New York Sun, Reason, among many other publications. His plays include "Willy Nilly" a musical about the Manson Family that was a hit of the 2009 NY Intl Fringe festival and "House of Trash", published in Plays and Playwrights 2001. His works have been presented at Joe’s Pub (the Public Theatre), Theater for the New City, LaMama, the Ohio Theatre (Soho Think Tank), HERE, Dixon Place, the Brick, and, regionally and internationally, in London, Portland, Minneapolis, Austin, Seattle, and Providence. He also presented hundreds of New York's top variety acts through his American Vaudeville Theatre. He is proud to have been the first contributor to nytheatre.com after editor/founder Martin Denton, and to have interviewed over 200 indie theatre artists on nytheatrecast, the podcast series that is the voice of nytheatre.com. 

